", "US Distributor Of 'Let The Right One In' Says They'll Fix Subtitles, But No Exchanges", "Låt den rätte komma in - Bitvis hårresande otäckt", "Revenge of the SIFF: 2008 Seattle International Film Festival Second Week Wrap-Up", "00's Retrospect: Bloody Disgusting's Top 20 Films of the Decade...Part 4", "BBC's 100 Greatest Films of the 21st Century", Swiss Neuchâtel International Fantastic Film Festival, "Imagine Film Festival: Jury's and Awards", "Boston Society of Film Critics Awards 2008 Winners", British Academy of Film and Television Arts, "Winners announced for the 12th British Independent Film Awards Sunday 6 December at The Brewery, Chiswell Street", "The BFCA Critics' Choice Awards :: 2008", "The Calgary International Film Festival announces 2008 award winners", "1st Edition - International Online Film Critics' Poll", "Irish Film and Television Academy | IFTA", "Fish Tank hooks four prizes from Critics' Circle", "Setting out for a record number of awards", "San Diego Film Critics Choose Best of 2008", "2008 San Francisco film critics circle awards", "Nominations for the 35th Annual Saturn Awards", Washington D.C. Area Film Critics Association, "Kodi Smit-McPhee, Chloe Moretz and Richard Jenkins Will Let Me In", "Tomas Alfredson: New Wave Vampires Interviews – Total Sci-Fi", "Hammer Films CEO Simon Oakes Interview Let Me In; Plus Info on The Woman in Black and Handling the Undead", Original Swedish trailer with English subtitles, Boston Society of Film Critics Award for Best Non-English Language Film, Chicago Film Critics Association Award for Best Foreign Language Film, The Cook, the Thief, His Wife & Her Lover, Dublin Film Critics Circle Award for Best Film, Florida Film Critics Circle Award for Best Foreign Language Film, London Film Critics' Circle Foreign Language Film of the Year, Online Film Critics Society Award for Best Film Not in the English Language, San Diego Film Critics Society Award for Best International Film, San Francisco Bay Area Film Critics Circle Award for Best Foreign Language Film, Toronto Film Critics Association Award for Best Foreign Language Film, Uncle Boonmee Who Can Recall His Past Lives, Washington D.C. Area Film Critics Association Award for Best Foreign Language Film, https://en.wikipedia.org/w/index.php?title=Let_the_Right_One_In_(film)&oldid=1012779050, Films whose director won the Best Director Guldbagge Award, CS1 maint: others in cite AV media (notes), Articles with dead external links from September 2010, Articles with dead external links from November 2018, Articles with permanently dead external links, Articles with dead external links from March 2017, Articles containing Swedish-language text, Creative Commons Attribution-ShareAlike License, Best European/North — South American Film, Per Sundström, Jonas Jansson, Patrik Strömdahl, Grand Prize of European Fantasy Film in Gold, This page was last edited on 18 March 2021, at 08:09. 4.5 out of 5 stars 4.3 out of 5.0 5 Stars 8 4 Stars 2 3 Stars 1 2 Stars 0 1 Stars 1 Performance. In an interview, van Hoytema describes it as follows: "If you could capture dull electrical light in a can and spray it like hairspray across Eli’s apartment, it would have the same result as what we created". Principal photography took place in 2007 in Luleå, with additional filming in Blackeberg. His classmates regularly bully him, and he spends his evenings imagining revenge, collecting clippings from newspapers and magazines about murders. Production Details. During an ice skating field trip at the lake, some of Oskar's fellow students discover Jocke's body. A caving expedition goes horribly wrong, as the explorers become trapped and ultimately pursued by a strange breed of predators. Eli realizes that it is not safe to stay and leaves that night. Overall. They enter the pool area and order the children, aside from Oskar, to clear out. “Let the Right One In” is executive produced by Andrew Hinderaker, Seith Mann, and Marty Adelstein, and Becky Clements for Tomorrow Studios (a partnership between Adelstein and … [33] It contains 21 of Söderqvist's original scores from the film. Eli gives Oskar the strength to hit back but when he realizes that Eli needs to drink other people's blood to live he's faced with a choice. The chemistry between two preteen protagonists is outstanding and very believable. [42], Despite being an internationally successful film, Let the Right One In was not submitted by Sweden for the Academy Award for Best Foreign Language Film. [14] Söderqvist has described the outcome as consisting of both darkness and light, and emphasized melody and harmony as the most important qualities of the music. Oskar, a bullied 12-year old, dreams of revenge. The next morning, Oskar is lured out to resume the after-school fitness program at the local swimming pool. How much can love forgive? Lacke's girlfriend, Virginia, is subsequently attacked by Eli. [47] The film was released in cinemas in the United Kingdom on 10 April 2009.[48]. Tracking shots relied on a track-mounted dolly, rather than Steadicam, to create calm, predictable camera movement. Like “There was silence on the other end. A family's home is haunted by a host of demonic ghosts. The critical consensus reads, "Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling". A key passage in the novel details what happens when a vampire enters a room uninvited, an action that traditional vampire lore usually prohibits. In particular, the scene where Eli leaps down on Virginia from a tree, was shot in the town square of Blackeberg. According to an interview with the director, as the film was originally conceived, flashbacks explained this aspect in more detail, but these scenes were eventually cut. Caution: Major Spoilers for Let the Right One In ahead! [31] Footage of Ceylan eating melon or sausage was combined with various animal noises to emulate the sound of Eli biting into her victims and drinking their blood. Soon after this, Oskar confronts Eli, who admits to being a vampire. The film has a 98% "Certified fresh" rating at Rotten Tomatoes based on 190 reviews, with an average rating of 8.29/10. Oskar, a bullied 12-year old, dreams of revenge. [29] Both men and women up to the age of forty auditioned for the role. The static crackle from one hundred kilometres of telephone lines. A cat-loving recluse, Gösta, witnesses the attack from his flat but, in disbelief, decides not to report the incident. Kåre Hedebrant, selected to audition for the role as Oskar after an initial screening at his school, eventually landed the role. [70] Being released on 24 October 2008, the film would normally be eligible for submission for the 82nd Academy Awards. [12][13][14] In particular, many aspects of the character Håkan, including him being a paedophile, were toned down, and his relationship with Eli was mostly left open to interpretation. [16] The end result, which shows Eli slowly beginning to bleed from her eyes, ears, and pores, received positive notices from many critics. Expressen criticized it for being unappealing to those uninitiated in vampire films while Göteborgs-Posten believed the supporting characters had lost the emotional depth that made the novel so successful. Let the Right One In premiered at the Gothenburg Film Festival on 26 January 2008, where it received the Nordic Film Prize. An American remake, titled Let Me In and directed by Matt Reeves, was released in 2010. Eli is prompted to waylay and kill a local man, Jocke, making his way home after having said goodnight to his best friend, Lacke. [69] Other awards include the first Rotten Tomatoes Critical Consensus Award at the Edinburgh Film Festival. "[14] On another occasion, Alfredson stated that "[c]asting is 70 percent of the job; it's not about picking the right people to make the roles. This was canceled when the Swedish Film Institute announced that Everlasting Moments had been selected over Let the Right One In as Sweden's submission for the Academy Award for Best Foreign Language Film. [29] Sundström designed the soundscape to come as close to the actors as possible, with audible heartbeats, breathing, and swallowing. Let the Right One In Spencer Perry 03/15/2021 06:02 pm . In their rationale, the authors noted that, "in these days where every second movie seems to feature vampires, it takes a very special twist on the legend to surprise us – but this one knocked us out and then bit us in the jugular", and found that the "strange central friendship" between the two lead characters was what made the film "so frightening, and so magnetic". [20] Its design was intended to suit the CinemaScope format[20] better than a regular jungle gym, which would typically have to be cropped height-wise. CS1 maint: others in cite AV media (notes) (, Neuchâtel International Fantastic Film Festival, Academy Award for Best Foreign Language Film, European Fantastic Film Festivals Federation, Broadcast Film Critics Association Awards, Méliès International Festivals Federation, Puchon International Fantastic Film Festival, Washington DC Area Film Critics Association Awards, "Lat den ratte komma in – Let the Right One In (15)", "In 2008, Let the Right One In Depicted Teenage Love as Bloodlust", "Tomas Alfredson om nya filmen: "Skildringen är oerhört kärv, "The Northlander Sits Down With The Writer Of 'Let the Right One In'! [52] Additionally, Metacritic has reported an average score of 82 out of 100 based on 30 reviews which indicates "universal acclaim". Meanwhile, a series of strange murders occur which draws the attention of law enforcement. Oskar, a bullied 12-year old, dreams of revenge. Films Let the Right One In Colin Brookes reflects on ethical and aesthetic issues between vampires and us.. Let the Right One In (2008) was critically acclaimed internationally and received several prestigious awards. Overview. [7] The depiction of bullying in the novel affected Alfredson deeply. These analogue sounds can be digitally reworked as much as necessary, but the origin has to be natural". [a], The film project started in late 2004 when John Nordling, a producer at the production company EFTI, contacted Ajvide Lindqvist's publisher Ordfront to acquire the rights for a film adaptation of his novel, Let the Right One In: "At Ordfront they just laughed when I called, I was like the 48th they put on the list. The story centers on the relationship between a 12-year-old boy, Oskar, and a centuries-old vampire child, Eli. Selecting the lead actors involved a year-long process with open castings held all over Sweden. Over time, however, the two begin to form a relationship, and exchange Morse code messages through their adjoining wall. The film is his creative process", he said. It was released in Sweden on 24 October 2008 by Sandrew Metronome. "If you look on the 'net, people are furious about how bad it is done", he added. Moreover, the cinematography and atmosphere in this film are undeniably superb. [46] In Australia, the film was released on 19 March 2009. John Nordling, Producer, I saw it in Bangkok International Film Festival 2008 and love this movie very much.It has something big and stunning about this lovely storyline to rivet my attention from the beginning to the end. Alfredson instructed him to write something that sounded hopeful and romantic, in contrast to the events that take place in the film. [26] He wanted the actors to look innocent, and be able to interact in front of the camera. The film was produced by EFTI, Sveriges Television and Filmpool Nord, with support from the Swedish Film Institute, Nordisk Film & TV Fond, WAG and Canal+. It won several awards, including the Founders Award for Best Narrative Feature at the Tribeca Film Festival, as well as four Guldbagge Awards, including Best Director for Alfredson, Best Cinematography for Van Hoytema, and Best Screenplay for Lindqvist. It is beautifully shot, wonderfully acted, and brilliantly paced. What listeners say about Let the Right One In. Let the Right One In This would be exactly enough to meet the criteria for the 81st Academy Awards instead. [27] The jungle gym where much of the interaction between Oskar and Eli takes place was constructed specifically for the film. Dancing in our memory weeping down to the knee Down in the sea of tears Away from my fears Let the right one in 4x In the sea of tears Away from our fears In the bottom strings Away from our dreams Let the right one in 4x. Set in 1982 in the suburb of Blackeberg, Stockholm, twelve-year-old Oskar is a lonely outsider, bullied at school by his classmates; at home, Oskar dreams of revenge against a trio of bullies. When he is about to be discovered by the boy's friends, Håkan pours concentrated hydrochloric acid onto his own face, disfiguring it to prevent the authorities from identifying him. Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl. An eccentric millionaire dies at a manor in Dalarna in Sweden, leaving behind three sons and a mistress. [12] However, Alfredson shot a few scenes in the Blackeberg area. (...) Like two sides of the same coin. The film was released in North America on DVD and Blu-ray in March 2009 by Magnet Films, and in the United Kingdom in August by Momentum Pictures. The film is based on John Ajvide Lindqvist’s novel with the same title and directed by Tomas Alfredson. [106] Let Me In was released in late 2010 starring Chloë Grace Moretz and Kodi Smit-McPhee as Abby and Owen, Eli's and Oskar's respective counterparts, and received very positive reviews but underperformed at the box office. Let the Right One In received widespread critical acclaim. Blackeberg, Stockholm, Stockholms län, Sweden, Sandrew Metronome Distribution Sverige AB. At the 63rd British Academy Film Awards, the film was nominated for Best Film Not in the English Language. With Kristine Froseth, Eric Bempong, Krista Bridges, Robin Douglas. Lacke tracks Eli down to the apartment. Let the Right One In: Exclusion and Isolation within Outsider Status. [36] Gessle has described the song as a "bluesy tune with a nice guitar hook". Eli initially informs Oskar that they cannot be friends. [16] Another scene, where Eli attacks Jocke in an underpass, was shot in the nearby suburb of Råcksta. "[105] Lindqvist, in contrast, said that he had heard that Reeves "will make a new film based on the book, and not remake the Swedish film" and so "it'll be something completely different, but it's going to be really interesting to see. However, an upstairs neighbor is angrily knocking on the ceiling due to the disturbance. [20] In the end, Ajvide Lindqvist was satisfied with the adaptation. It’s a feeling of tender melancholy that delivers its scares in a subtle, chamber orchestra way".[35]. [15] Alfredson originally wanted to omit this from the film, but Ajvide Lindqvist was adamant that it had to be included. [15], The novel presents Eli as an androgynous boy, castrated centuries before by a sadistic vampire nobleman. 188 of 250 people found this review helpful. Later, Oskar is traveling on a train with Eli in a box beside him. This is a web site for fans of John Ajvide Lindqvist's novel, Let The Right One In(Låt den rätte komma in), and the films based upon it (Tomas Alfredson's Let The Right One Inand Matt Reeves' Let Me … Icons of Fright reported that the American release had been criticized for using new, oversimplified English subtitles instead of the original theatrical subtitles. Eli learns that Oskar is being bullied by schoolmates and encourages him to stand up for himself. [33] The Slovak National Symphony Orchestra performed the score; two years earlier they had performed the score for the first Swedish vampire movie, Frostbiten. They were supposed to be "mirror images of each other. View production, box office, & company info. Want to share IMDb's rating on your own site? Oskar enrolls in weight-training classes after school. After a vote, the film team ended up selecting Elif Ceylan, who provides all of Eli's spoken dialogue. [40] The film also won the Méliès d'Argent (Silver Méliès) at the Swiss Neuchâtel International Fantastic Film Festival[43] (NIFFF) and went on to win the Méliès d'Or (Golden Méliès) for the "Best European Fantastic Feature Film", awarded by the European Fantastic Film Festivals Federation of which NIFFF is a part. [14] When Oskar asks Eli to become his girlfriend, Eli tries to tell Oskar "I'm not a girl". Earlier, Håkan stops and kills a passerby on a footpath to harvest blood for Eli, but is interrupted by an approaching dog walker. [28], The film contains around fifty shots with computer-generated imagery. Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling. [61] Roger Ebert gave the film 3.5 out of 4 stars, calling it a vampire movie that takes vampires seriously, drawing comparisons to Nosferatu and to Nosferatu the Vampyre. [14] Alfredson was initially nervous about the scene. Eli visits Håkan in the hospital; Håkan offers his neck to Eli for feeding, and Eli drains him of his blood. “Let the right one in Let the old dreams die Let the wrong ones go They cannot do What you want them to do —Morrissey, “Let the Right One Slip In” ― John Ajvide Lindqvist, Let the Right One In. Written by Let the Right One In TV Series to Star Demian Bichir. Rated R for some bloody violence including disturbing images, brief nudity and language, Let the Right One In TV adaptation gets pilot order from Showtime, Demián Bichir to star, Let The Right One In Will Get Remade Once More, With Demián Bichir-Led Showtime Show, 150 of the Best Vampire Movies Across all Genres, 80 of the Best Horror Movies to Stream Today, Best Depiction of the 1980s in Recent Film, Rotten Tomatoes: Top Art House & International Movies, Rolling Stone's Greatest Horror Movies of the 21st Century. Other than some gory scenes in this film, we can yet see some flesh and blood moment of humane Vampire. Let the Right One In (2008) - IMDb Directed by Tomas Alfredson. [66] The film was later voted the 94th greatest film since 2000 in an international critics' poll conducted by BBC. He prepares to kill Eli, but Oskar interferes; Eli wakes up, jumps on Lacke and feeds on his blood, killing him. At the same time, the bullies again harass Oskar, who hits their leader Conny in the head with a metal pole, splitting his ear. [45] The distributors released it on 24 October 2008 in Sweden, Norway, and as a limited release in the United States. [16] Some of the outdoor close-up scenes were made in a super cold studio. [30] "She's 200 years old, not twelve. [12] The original Blackeberg underpass that Lindqvist had envisioned was deemed too high to fit in the picture. A film adaptation of Lindqvist's novel began development in 2004 when John Nordling acquired the rights to produce the project. It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. From inside, Eli taps the word "kiss" to Oskar in Morse code, to which he taps back "small kiss". Let the right one in 4x Does anyone has not the hash like me? [14], Casting of the lead actors took almost a year,[22][23] with open castings held all over Sweden. It takes place in Blackeberg, a working-class suburb of Stockholm, in the early 1980s. "[23], Although the film takes place in Blackeberg, a suburb of Stockholm, principal photography took place in Luleå (in the north of Sweden) to ensure enough snow and cold weather. A new friendship develops when Eli, a pale, serious young girl who only comes out at night, moves in next door. One of four parallel stories about parents and children. It's the story of Oskar, a 12-year-old boy who is being bullied at school. The production involved a total budget of around 29 million SEK, including support from the Swedish Film Institute, Nordisk Film & TV Fond, WAG, and Canal+.[9][10]. [21] He subsequently described the film as a "masterpiece". He could obviously never do that. [32], Swedish composer Johan Söderqvist wrote the score. [23] The lead sound-designer Per Sundström explained: "The key to good sound effects is working with natural and real sounds.(...) Let the Right One In (Swedish: Låt den rätte komma in) is a 2008 Swedish romantic horror film directed by Tomas Alfredson, based on the 2004 novel of the same title by John Ajvide Lindqvist, who also wrote the screenplay. [34] On 11 November 2008, MovieScore Media released the film soundtrack in a limited edition of 500 copies. Before long, her son starts to communicate with an invisible new friend. From Wings to Parasite, here's a look back at all of the Best Picture Oscar winners in the history of the ceremony. The area where the filming took place dated from around the same time as Blackeberg, and has similar architecture. Let the Right One In movie reviews & Metacritic score: A fragile, anxious boy, 12-year-old Oskar is regularly bullied by his stronger classmates but never strikes back. The bullies, led by Conny and his older brother Jimmy, start a fire to draw Mr Ávila, the supervising teacher, outside. "[13] In the end, Alfredson expressed satisfaction with the result, and has frequently lauded Hedebrant and Leandersson for being "extremely intelligent",[23] "incredibly wise",[26] and "unprecedentedly fantastic. Eli has recently moved into the next-door apartment with an older man, Håkan. A bullied young boy befriends with a peculiar young girl who just moved in to his small hometown with her mysterious caretaker. [55] Svenska Dagbladet gave the film a rating of 5 out of 6 and hailed Alfredson for his ability to "tell [stories] through pictures instead of words about a society where hearts are turned to icicles and everyone is left on their own, but also about love warm and red like blood on white melting snow". In the end, Kåre Hedebrant and Lina Leandersson were chosen for the leading roles. Let the Right One In, a Swedish film released in October 2008, is a major addition to the repertoire of vampire lore that Bram Stoker started in 1897 with his novel Dracula. More stories about Let the Right One In . [62] Ebert later called the film "The best modern vampire movie". Breaking in, he discovers Eli asleep in the bathtub. [23][29] The sound crew won a Guldbagge Award for Best Achievement from the Swedish Film Institute, for the "nightmarishly great sound" in the film. The penultimate scene… "[64] The film was ranked #15 in Empire's 2010 list of "The 100 Best Films Of World Cinema". But then he meets Eli, the strange and mysterious girl who just moved into the apartment next door, and the … [67], Alfredson won the Gothenburg Film Festival's Nordic Film Prize as director of Let the Right One In on the grounds that he "succeeds to transform a vampire movie to a truly original, touching, amusing and heart-warming story about friendship and marginalisation". You must be a registered user to use the IMDb rating plugin. It is about creating chords, how a B and A minor interact together, and are played together. [102] Alfredson has expressed unhappiness about the idea of a remake, saying that "Remakes should be made of movies that aren't very good, that gives you the chance to fix whatever has gone wrong" and expressing concern that the end result would be too mainstream. [20][103][104] Alfredson was initially asked to direct the remake, but he turned it down stating that "I am too old to make the same film twice and I have other stories that I want to tell. We needed that incongruity. The song "Kvar i min bil", written and performed by Per Gessle, resonates repeatedly through the film. [21] "It doesn't really matter that [Alfredson] didn't want to do it the way I wanted it in every respect. [44] At one time there was a plan to release the film for a special series of screenings in Luleå, beginning 24 September and lasting seven days. But I take issue with the ending. Oskar, an overlooked and bullied boy, finds love and revenge through Eli, a beautiful but peculiar girl. "Let the Right One In" is a "vampire movie," but not even remotely what we mean by that term. [22] He had particular concerns about the interaction between the two leads,[8] and the fact that those who had read the book would have a preconceived notion of how the characters were supposed to look. [68] In awarding the film the "Founders Award for Best Narrative Feature", the top award at the Tribeca Film Festival, the jury described the film as a "mesmerizing exploration of loneliness and alienation through masterful reexamination of the vampire myth". The details surrounding the film's eligibility for the award resulted in some confusion. [14] Still, the film provided a few hints, of which Alfredson mentions one in the director's comments (Håkan likes children, for the wrong reasons). Besides, it makes her menacing", Sundström said. The story centers on the relationship between a 12-year-old boy, Oskar, and a centuries-old vampire child, Eli. Four sides of Sweden. The original “Let the Right One In” novel was written by John Ajvide Lindqvist and became a bestseller. [7] Many of the minor characters and events from the book were removed, and focus directed primarily on the love story between the two leads. Does the book give more information on Eli's backstory? When a 12-year-old girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her. [65] In the early 2010s, Time Out conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films; Let the Right One In placed at number 28 on their top 100 list. Get a sneak peek of the new version of this page. She can't stand the sun or food and to come into a room she needs to be invited. A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying. Let the Right One In premiered at the Gothenburg Film Festival in Sweden on 26 January 2008[38] where Alfredson won the Festival's Nordic Film Prize. An actress plays Eli's character, but her voice was considered to be too high pitched, so it was dubbed by voice actress Elif Ceylan. For the emotional scenes between Oskar and Eli, van Hoytema consistently diffused the lighting. After Carlos - a 12-year-old whose father has died in the Spanish Civil War - arrives at an ominous boys' orphanage, he discovers the school is haunted and has many dark secrets which he must uncover. However, Eli insists that they are alike, in that Oskar wants to kill and Eli needs to kill, and encourages Oskar to "be me, for a little while." Search for "Let the Right One In" on Amazon.com, Title: Shot in austere style, often with long, formal takes -- hardly any MTV-action stuff -- LET THE RIGHT ONE IN sacrifices much of the character development in the Swedish source novel. [54] One negative review came from Owen Gleiberman of Entertainment Weekly, who gave the movie a "C", characterizing it as a "Swedish head-scratcher", with "a few creepy images but very little holding them together". Alfredson, unconcerned with the horror and vampire conventions, decided to tone down many elements of the novel and focus primarily on the relationship between the two main characters and explore the darker side of humanity. The film received critical acclaim, with praise for the performances of the two leads, the cinematography, screenplay, and direction. [57] Expressen and Göteborgs-Posten were less impressed and gave the film 3 out of 5. The Swedish horror film Let the Right One In is a multi-faceted vampire story that revolves around romance, bullying, and growing. He falls in love with Eli, a peculiar girl. After the release of Let the Right One In took place, Cloverfield director Matt Reeves signed on to write and direct an English-language version for Overture Films and Hammer Films. To save her [ 62 ] Ebert later called the film in a. Has similar architecture feminine One, to create calm, predictable camera movement `` mirror images each... 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